Artistic Direction

Speaking of the past and words spoken in the past

The concept of civilization marks a significant milestone in human progress. We are working diligently to protect what has been preserved, while also witnessing efforts to reclaim what was once abandoned. Cultural traditions that remain through the erosion of time and those that are lost through the rise and fall of empires, which of these truly define our identities today? And which ones influence our visions of tomorrow? Does the power that civilization has bestowed upon humanity encompass essential tools like humility and introspection, used to cleanse human nature of greed and mitigate the harm caused by arrogance and ignorance?

When we reflect on the narratives of the Era of Exploration, we see Western empires, such as Spain, raising the banner of civilization as they engaged in colonial acts across the globe. These actions have a lasting impact on Asia today. The consequences of colonial rule continue to prompt many nations to work towards healing wounds, uncovering truths, and seeking paths to reconciliation. 

The Spanish Empire once reshaped the destinies of countries such as the Netherlands, Mexico, and the Philippines, and even extended its influence to Taiwan briefly. Wherever one treads, traces are inevitably left behind. While Taiwan and the Philippines both belong to the Austronesian language family, the development of their languages has been significantly shaped by the influence of different colonial regimes. What and who is Spanish? What and who are the Taiwanese? 

In Spain, the concept of national identity varies widely between regions, shaped by diverse historical backgrounds and the distinct cultural and ethnic characteristics of their inhabitants. The Basque Country stands out with its ancient language and heritage, which is older than much of Europe. This region historically includes parts of France, where Basque communities maintain a strong connection with their Spanish counterparts. In Taiwan, we can draw similarities between the Min-nan and the Hakka, who can trace their roots across Asia. These two peoples make up the majority of the Taiwanese population, yet today their languages are gradually overshadowed by Mandarin. 

In a broader context, Spain and Taiwan both have been significantly changed under authoritarian regimes: one by Francisco Franco and the other by Chiang Kai-Shek. Artists like Picasso and Chen Cheng-po have reflected on the harrowing effects of war, emphasizing the lasting wounds inflicted on our shared history.

In Canada, the path of colonization led to English and French becoming official languages. Today, there are earnest efforts to rediscover the original languages of this land. Moreover, the value of multiculturalism has raised the necessity of reevaluating past assimilation concepts. The reclamation of lost languages is becoming an essential journey for Canadians to explore their individual and collective cultural identity.

In our present day, are we continuing to perpetuate past mistakes, or are we on a quest to rediscover what we have lost?

What does heritage entail? Is it merely a continuous narration of past words?

What defines progress? Is it the critical reflection on the words spoken in the past?

社區表演

The stage is a place where our stories can be shared, resonating with audiences from far and wide. The performing arts allows us to uncover memories buried under time with Walking Melodies, or find a home away from home with Third Culture Collective, or continue cultural dialogues within the language of dance as Hidden Gem Dance Studio and Nahualli Folklore Society steps into the spotlight. TAIWANfest is engaging with the different communities of Canada, reflecting the diversity found on the island in Taiwan, and the ongoing innovations of the performing arts as people migrate and cultures mingle.

台灣電影櫥窗

A concert that takes us back to the 17th century, using archaeology, sound technology, and contemporary art… Recreating the moment when Spain first landed in Taiwan during the Era of Exploration, and bringing us across time and space to the Taiwan of today.

Why did an Indigenous band from Taiwan embark on a tour through Canada? What did they find within their exchanges with the local Indigenous peoples of Canada, that prompted them to take a deeper look at their own cultural identity and find their true selves?

The creative arts is an expression of life, film and music the mediums. They not only create interactions with the present, but allow us to slip through the limitations of time, connecting us with the historical past while simultaneously building aspirations for the brilliant future. They break through the barriers of distance, bringing the far corners of the earth together to start a cross-cultural dialogue.

Following the theme BECOMING ME, Cinematic Taiwan invites everyone to follow these artists on a journey of exploring Taiwan and the self through the stories on the screen, and gain inspiration and courage to find your own self.

希望講堂

Taiwan is an island that attracts interest but has no desire for ownership.

As an island nation, Taiwanese people are constantly facing the future, facing the ocean. In facing the future—the souls that have stepped foot on this island become its treasure, creating waves of progress and change;

In facing the ocean—the people continue to sail out to sea and reach out to share their findings with each other and the world.

This year’s Hope Talks not only explores how people absorb, transform, and recreate different cultures through the process of immigration/emigration. These talks also hope to bring something refreshing to the Canadian audience, an inspiration and a learning opportunity. In speaking about the past, our goal is not about nostalgia, but about moving forward.

Starting from the history of language exchange between the East and the West more than 400 years ago, all the way to the new Taiwanese ballads created by the current Generation Z. Did you know? In the 16th-17th century, there was a wave of “Let’s learn Hokkien” in Europe, and Asia became a land of polyglots, where everyone was learning each other’s languages. 400 years later, Taiwan’s youth has rediscovered Taiwanese and Hakka through music, even incorporating traditional beiguan and nanguan and chanting into modern rock music. Throughout this time, the Hakka people have met the world many times over, creating a diverse impression of what it means to be Hakka today.

You may be surprised to find that Spanish flamenco has a connection to Taiwan! A conversation between dancers of two generations that will reveal how the energetic spirit of flamenco is reflected in the soul of the Taiwanese. And how do the artists of Canada and Taiwan view themselves, and each other? Find out from the artists themselves.

工作坊

All our experiences are vastly different, yet follow similar trajectories in our search for a sense of belonging. This year’s exhibitions shine a spotlight on stories that resonate with people across cultures. 

Many people in Taiwan and in Canada are immigrants or descended from immigrants. Many others have mixed cultural backgrounds. Amidst this vibrant diversity, conflicts of self-identity and self-reconciliation arise. And art is what allows us to peer into the windows of each other’s past, and glimpse into our shared futures.

Last year, local musician Tom Su brought his friends and played music for us on the street. Through nostalgic lullabies, cultural folk songs, and familiar tunes, his story resonated with people of all ages and backgrounds. 

Throughout the years, Taiwan Bookstore introduced us to different perspectives in the world of literature. With a focus on authors of mixed cultural backgrounds, or first and second generation immigrant authors, this year we explore the colourful lives that are born from the collision of cultures across time and space.

As a festival, we continue to be inspired by our attendees, artists, friends. Combining different forms of art, let’s continue to share more stories on our journey to BECOMING ME.

展覽

All our experiences are vastly different, yet follow similar trajectories in our search for a sense of belonging. This year’s exhibitions shine a spotlight on stories that resonate with people across cultures. 

Many people in Taiwan and in Canada are immigrants or descended from immigrants. Many others have mixed cultural backgrounds. Amidst this vibrant diversity, conflicts of self-identity and self-reconciliation arise. And art is what allows us to peer into the windows of each other’s past, and glimpse into our shared futures.

Last year, local musician Tom Su brought his friends and played music for us on the street. Through nostalgic lullabies, cultural folk songs, and familiar tunes, his story resonated with people of all ages and backgrounds. 

Throughout the years, Taiwan Bookstore introduced us to different perspectives in the world of literature. With a focus on authors of mixed cultural backgrounds, or first and second generation immigrant authors, this year we explore the colourful lives that are born from the collision of cultures across time and space.

As a festival, we continue to be inspired by our attendees, artists, friends. Combining different forms of art, let’s continue to share more stories on our journey to BECOMING ME.

與我們連絡

表演 / 攤商 / 贊助合作機會

溫哥華台灣文化節非常感謝能夠在海岸薩利希人馬斯琴族、史戈米殊族和特斯利沃圖族代代相傳且未曾退讓的土地上發生。原住民族對土地的守護使眾人有幸能於此聚集,我們為此感激並將致力於與這片土地上的原住民在尊重其表述的基礎上共同合作,實踐富有意義的文化對話及和解工程。

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