The development of tile culture originated from humanity’s growing attention to architectural decoration. The desire to create beauty has connected diverse architectural styles, ways of life, and religious beliefs across the world—giving rise to a wide variety of colorful and expressive tile designs. Though a single tile may seem small, it carries deep meaning and reflects the cultural essence of different nations.
Taiwan, as an island nation located along key maritime routes, has long been a place where cultures, goods, and people converge. This historical context is vividly reflected in the way tiles have been used throughout the island.
Majolica tiles, introduced to Taiwan from the West via Japan, became a popular substitute for traditional architectural carvings and decorations. Due to their affordability and ease of installation, they even inspired a uniquely Taiwanese form of tile painting. Today, tiles from around the world can still be found throughout Taiwan—turning the island into a kind of open-air museum without walls.
Kenji Horigome was born in Japan in 1947. He holds a Doctorate in Engineering from the University of Tokyo and is a certified first-class architect in Japan. He has lived in Taiwan for nearly 40 years. Deeply interested in Taiwan’s architecture, urban landscapes, and local lifestyles, he conducted extensive research and published the book “Taiwan Towns and Life” in Japan in 1980.
Kenji has also taught at National Taiwan University, Tamkang University, and Chung Yuan Christian University, offering courses on architecture, urban landscapes, cultural heritage preservation, and even feng shui. He has a keen eye for topics that are often overlooked by others, from which he discovers new subjects to explore. Among these, he has devoted considerable time to the study of tiles. His research culminated in the 2024 publication of “The Genealogy of Tiles in Taiwan” (Yuan-Liou Publishing).
磁磚文化的發展根源於人們開始重視建築裝飾,「想要美麗」的心願連結了世界不同的建築樣式、生活形態與宗教,進而發展出多采多姿的磁磚樣式。雖然只是一枚小小的磁磚,其背後卻傳遞出深厚的意涵,凝聚著各國文化。
臺灣是一個島嶼國家,因為處於重要的航線上,自古以來便有各種文化、物資與人群的流入。這樣的歷史背景在磁磚的運用上亦可見一斑。
「馬約利卡磁磚」(Majolica Tile)透過日本從西方傳入台灣,成為傳統建築雕刻、裝飾的替代品。因為它價格低廉、施工方便,甚至衍生出獨具台灣特色的「磁磚畫」。現今,我們仍可以在台灣各處尋見來自世界各地的磁磚,如同一座無牆博物館。
堀込憲二1947年日本出生,東京大學工學博士、日本一級建築士,在台灣生活已近40年。他對台灣的建築、城市以及台灣人的生活方式感興趣並進行了研究,於1980年在日本出版了「台灣城鎮及生活」一書。
堀込憲二也曾於台灣大學、淡江大學、中原大學教授建築與城市景觀、文化資產保存、風水等課程。他對別人不關注的事物感興趣,並能從中發現新的主題,進行各種研究,其中花了比較多時間研究磁磚。成果總結於2024年出版的《臺灣磁磚系譜學》(遠流出版社)。
TAIWANfest Vancouver is grateful to be held on the traditional, ancestral, and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). We acknowledge our privilege to be gathered here, and commit to work with and be respectful to the Indigenous peoples of this land while we engage in meaningful conversations of culture and reconciliation.